約 5,050,187 件
https://w.atwiki.jp/sakots/pages/286.html
【巡音ルカ】 MineSweeper (オリジナル) 曲名：MineSweeper 作詞：サ骨 作曲：サ骨 編曲：サ骨 唄：巡音ルカ 歌詞： I remember to say good morning for you keeping flags You maybe not get up by my voice, So I m embarrassed So many land mines are buried in this field, In this roughness field You maybe not stand up to sweep the mines, So I m disappointed Now my eyes get the rising sun What a wonderful world From the horizon he appears, by now in my mind I wish a hundred suffering were untiesed The future tries to be untied, open the door to anywhere I m hoisting the flags on this field based on my mind Time dislikes to move from here like a mine sweeper I remember to say space settle your mind, So in my mind Now something from underground tell me how to survival I remember to say good morning for you keeping flags You maybe not get up by my voice, So I m embarrassed Now my eyes get the rising sun What a wonderful world From the horizon he appears, by now in my mind I wish a hundred suffering were untiesed The future tries to be untied, open the door to anywhere I m hoisting the flags on this field based on my mind Time dislikes to move from here like a mine sweeper Now my eyes get the rising sun What a wonderful world From the horizon he appears, by now in my mind I wish a hundred suffering were untiesed The future tries to be untied, open the door to anywhere I m hoisting the flags on this field based on my mind Time dislikes to move from here like a mine sweeper
https://w.atwiki.jp/glee_number/pages/7.html
第１話 The Purple Piano Project メンバーチェンジ 曲名 アーティスト gleeキャスト We Got the Best The Go-Go's ニュー・ディレクションズ Big Spender ミュージカル「Sweet Charity」 シュガー Ding-Ding!The Witch Is Dead 映画「The Wizard of Oz」 レイチェル、カート It's Not Unusual Tom Jones ブレイン Anything Goes/Anything You Can Do ミュージカル「Anything Goes」/「Annie Get Your Gun」 ハーモニー You Can't Stop the Beat ミュージカル「Hairspray」 ニュー・ディレクションズ 第２話 I Am Unicorn 運命のオーディション Somewhere ミュージカル「West Side Story」 レイチェル、シェルビー I'm the Greatest Star 映画「Funny Girl」 カート Something's Coming ミュージカル「West Side Story」 ブレイン 第３話 Asian F Aマイナスは落第点 Spotlight Jennifer Hudson メルセデス、ブリトニー、ティナ Run the World(Girls) Beyoncé ブリトニー、サンタナ Cool ミュージカル「West Side Story」 マイク It's All Over 映画「ドリームガールズ」 メルセデス、ウィル、サンタナ、カート、フィン、パック、マイク Out Here On My Own 映画「Fame」 メルセデス、レイチェル Fix You Coldplay ウィル＆ニュー・ディレクションズ 第４話 Pot o' Gold アイルランドから来た留学生 Bein' Green TV「Sesame Street」 ローリー Last Friday Night(T.G.I.F) Katy Perry ブレイン Waiting For A Girl Like You Foreigner パック Candyman Christina Aguilera パック Take Care of Yourself Teddy Thompson ローリー 第５話 The First Time すばらしき初体験 Tonight ミュージカル「West Side Story」 ブレイン、レイチェル Uptown Girl Billy Joel ウォブラーズ A Boy Like That ミュージカル「West Side Story」 サンタナ、レイチェル America ミュージカル「West Side Story」 サンタナ、ティナ、ローリー、マイク、パック One Hand, One Heart ミュージカル「West Side Story」 ブレイン、レイチェル 第６話 Mush Off ガチンコ勝負 Hot For Teacher Van Halen パック、フィン、ブレイン、マイク You and I / You and I Lady Gaga / Eddie Rabbitt and Crystal Gayle ウィル、シェルビー Hit Me With your Best Shot / One Way or Another Pat Benatar / Blondie フィン、サンタナ Rumour Has It / Someone Like You Adele トラブルトーンズ 第７話 I Kiss a Girl カミングアウト Perfect P!nk カート、ブレイン I'm the Only One Melissa Etheridge パック Girl just Want to Have Fun Cyndi Lauper ND男子 Jolene Dolly Paton シャノン I Kiss a Girl Katy Perry ND女子 Constant Craving k.d.lang サンタナ、シェルビー 第８話 Hold on to Sixteen 全員集合！ Red Solo Cup Toby Keith ニュー・ディレクションズ Buenos Aires ミュージカル「Evita」 ユニターズ Survivor / I Will Survive Destiny's Child / Gloria Gaynor トラブルトーンズ ABC Jackson 5 ニュー・ディレクションズ Control Janet Jackson ニュー・ディレクションズ Man In The Mirror Michael Jackson ニュー・ディレクションズ We Are Young fun. feat. Janelle Monae ニュー・ディレクションズ 8話までの一部の曲がこちらの「 グリー シーズン3 Volume 7」に収録されています 第９話 Extradinary Marry Christmas 幸せを贈るクリスマス All I Want For Christmas Is You Mariah Carey メルセデス Blue Christmas Elvis Presley ローリー River Joni Mitchell レイチェル Extraordinary Merry Christmas gleeオリジナル曲 ブレイン、レイチェル Let It Snow Vaughn Monroe ブレイン、カート My Favorite Things ミュージカル「The Sound of Music」 レイチェル、メルセデス、カート、ブレイン Santa Claus Is Coming To Town Harry Reser and His Orchestra フィン、パック Christmas Wrapping The Waitresses ブリトニー Do They Know It's Christmas? Band Aid ニュー・ディレクションズ 9話の曲を中心としたクリスマスソングが こちらの「 グリー シーズン3 ザ・クリスマス・アルバム Volume 2」に収録されています 第１０話 Yes/No プロポーズ大作戦 Summer Nights 映画「Grease」 ニュー・ディレクションズ Wedding Bell Blues Laura Nyro エマ、スー、シャノン Moves Like Jagger / Jumpin' Jack Flash Maroon 5 feat. Christina Aguilera / Rolling Stones アーティ、フィン、パック、ブレイン First Time Ever I Saw Your Face Roberta Flack レイチェル、ティナ、メルセデス、サンタナ Without You David Guetta feat. Usher レイチェル We Found Love Rihanna feat. Calvin Harris レイチェル、サンタナ 第１１話 Michael マイケル争奪戦 Wanna Be Startin' Somethin' Michael Jackson ブレイン Bad Michael Jackson ニュー・ディレクションズ＆ウォーブラーズ Scream Michael Jackson and Janet Jackson アーティ、マイク Never Can Say Goodbye Jackson 5 クイン Human Nature Michael Jackson メルセデス、サム Ben Michael Jackson カート、レイチェル、フィン Smooth Criminal Michael Jackson セバスチャン、サンタナ I Just Can't Stop Loving You Michael Jackson and Siedah Garret フィン、レイチェル Black or White Michael Jackson ニュー・ディレクションズ 第１２話 The Spanish Teacher 魅惑のスペイン語教師 La Cucaracha Kumbia Kings アーティ、フィン、パック、ウィル Sexy and I Know It LMFAO デイビッド＆ニュー・ディレクションズ Don't Wanna Lose You Gloria Estefan メルセデス Bamboleo / Hero Gipsy Kings / Enrique Iglesias サム＆ND男子 La Isla Bonita Madonna デイビッド、サンタナ A Little Less Conversation Elvis Presley ウィル 第１３話 Heart バレンタイン・パーティー！ Chapel of Love Kumbia Kings ハイラム＆リロイ L-O-V-E Nat King Cole マイク＆ティナ Let Me Love You Mario アーティ Stereo Hearts Gym Class Heroes ft. Adam Levine ジョー、サム、メルセデス、クイン Home Michael Bublé ローリー I Will Always Love You Dolly Parton / Whitney Houston メルセデス You're the Top ミュージカル「Anything Goes」 ハイラム＆リロイ Cherish / Cherish The Association / Madonna クイン、サム、ジョー、メルセデス Love Shack The B-52's ブレイン、メルセデス＆レイチェル、ブリトニー、カート 第１４話 On My Way それぞれの転機 Cough Syrup Young The Giant ブレイン Stand Lenny Kravitz ウォブラーズ Glad You Came The Wanted ウォブラーズ She Walks in Beauty Nicholas Dodd and Sissel ザ・ゴールデン・ゴブレッツ Fly / I Believe I Can Fly Nicki Minaj feat. Rihanna / R. Kelly ニュー・ディレクションズ Stronger (What Doesn't Kill You) Kelly Clarkson サンタナ、ブリトニー、メルセデス Here's To Us Halestorm ニュー・ディレクションズ 第１５話 Big Brother イケメンの兄 I'm Still Standing Elton John クイン、アーティ Hungry Like The Wolf / Rio Duran Duran ブレイン、クーパー Fighter Christina Aguilera ブレイン Up Up Up Givers アーティ、クイン Somebody That I Used To Know Gotye feat. Kimbra ブレイン、クーパー 第１６話 Saturday Night Glee-ver サタデー・ナイト・グリーバー！ You Should Be Dancing Bee Gees ブレイン、マイク、ブリトニー Night Fever Bee Gees ウィル、スー、ジョー＆ニュー・ディレクションズ Disco Inferno The Trammps メルセデス、サンタナ、ブリトニー If I Can't Have Yo Yvonne Ellima サンタナ＆ND女子 How Deep Is Your Love Bee Gees レイチェル Boogie Shoes KC and the Sunshine Band ボーカル・アドレナリン More Than a Woman Bee Gees フィン、サンタナ、カート Stayin' Alive Bee Gees ニュー・ディレクションズ＆ウィル、スー 第１７話 Dance with Somebody ホイットニーに捧ぐ How Will I Know Whitney Houston レイチェル、カート、メルセデス、サンタナ I Wanna Dance With Somebody (Who Loves Me) Whitney Houston ブリトニー、サンタナ Saving All My Love For You Whitney Houston ジョー、クイン So Emotional Whitney Houston サナンタ、レイチェル It's Not Right But It's Okay Whitney Houston ブレイン I Have Nothing Whitney Houston カート My Love Is Your Love Whitney Houston ニュー・ディレクションズ 第１８話 Choke プレッシャー The Music of the Night ミュージカル「The Phantom of the Opera」 カート School's Out Alice Cooper パック Cell Block Tango ミュージカル「Chicago」 メルセデス、ブリトニー、ティナ、シュガー、サンタナ Not the Boy Next Door ミュージカル「The Boy from Oz」 カート＆ティナ、ブリトニー、メルセデス Don't Rain On My Parade 映画「Funny Girl」 レイチェル The Rain in Spain ミュージカル「My Fair Lady」 ND男子 Shake It Out Florence + the Machine サンタナ、ティナ、メルセデス Cry Kelly Clarkson レイチェル 第１９話 Prom-asaurus プロム反対運動 Big Girls Don't Cry Fergie レイチェル、カート、ブレイン Dinosaur Ke$ha ブリトニー Love You Like a Love Song Selena Gomez The Scene サンタナ、ティナ、ブリトニー What Makes You Beautiful One Direction ジョー、ローリー、アーティ、マイク、サム Take My Breath Away Berlin クイン、サンタナ 第２０話 Props 入れ替わり I Won't Give Up Jason Mraz レイチェル Because You Loved Me Celine Dion ティナ Mean Taylor Swift パック＆シャノン Flashdance... What A Feeling Irene Cara レイチェル、ティナ 第２１話 Nationals 夢の全国制覇！？ Edge Of Glory Lady Gaga サンタナ、メルセデス、クイン、ティナ It's All Coming Back To Me Now Celine Dion ニュー・ディレクションズ Paradise By The Dashboard Light Meat Loaf ニュー・ディレクションズ Starships Nicki Minaj ボーカル・アドレナリン Pinball Wizard The Who ボーカル・アドレナリン Starlight Express ミュージカル「Starlight Express」 ザ・ポートランド・スケール・ブレザーズ Tongue Tied GROUPLOVE ニュー・ディレクションズ We Are The Champions Queen ニュー・ディレクションズ 第２２話 Goodbye 卒業 Sit Down, You're Rocking The Boat ミュージカル「Guys and Dolls」 ニュー・ディレクションズ初期メンバー Forever Young Rod Stewart ウィル Single Ladies (Put A Ring On It) Beyoncé ダンス：バート、ティナ、ブリトニー I'll Remember Madonna カート You Get What You Give New Radicals ニュー・ディレクションズ卒業生メンバー In My Life The Beatles ニュー・ディレクションズ在校生メンバー Glory Days Bruce Springsteen パック、フィン Roots Before Branches Room For Two レイチェル、フィン 卒業をテーマとした「 グリー シーズン3 ザ・グラデュエーション・アルバム」 こちらもリリースされているので是非視聴してみてください
https://w.atwiki.jp/megusan/pages/102.html
I can t sleep on my back. 私は仰向けでは眠れないんです。 おいは仰向けじゃねーきらんとやもんね。 （長崎市、男、30代、megusan）
https://w.atwiki.jp/mizcremorne/pages/317.html
イベントの同時発生限度数を調べました。 キューは64個までのイベントを溜め込むことが可能で、それ以上のイベントは無視されることの検証です。 以下のようにしてstate_entryイベントから100回のリンクメッセージを送信し、実際に処理されたリンクメッセージイベントの数をカウントしてみました。 // イベントキューリミット測定ＬＳＬ integer event_call=0; // リンクメッセージのコール数 integer counter=0; // 実際に処理されたリンクメッセージ数 default { state_entry(){ integer i; integer j; [[llOwnerSay]]("Sleep start, please wait."); for (i = 0;i 10;i++){ // 1秒間隔で10回ループ llOwnerSay("Sleeping... wait(" + (string)(10 - i) + "sec)."); llSleep(1.0); for (j=0;j 10;j++){ // 10回のLinkMessageを送信 event_call ++; [[llMessageLinked]](LINK_SET,0,"",NULL_KEY); } } // リンクメッセージのコール回数を表示 llOwnerSay("Sleep end! link message is called " + (string)event_call + "times. touch for checking 'counter'."); } touch_start(integer detected){ // カウンター（リンクメッセージが処理された回数）の確認 llOwnerSay("counter is " + (string)counter + ". link-message event is called " + (string)counter + "times."); } link_message(integer s, integer i, string n, key id){ counter ++; // 処理されるたびにカウンター増加 } } 結果： [8 38] Object Sleep start, please wait. [8 38] Object Sleeping... wait(10sec). (中略） [8 39] Object Sleeping... wait(1sec). [8 39] Object Sleep end! link message is called 100times. touch for checking 'counter'. [8 39] Object counter is 64. link-message event is called 64times. llMessageLinked関数を100回実行したにも関わらず、実際に処理されたのは64回です。 llMessageLinked関数が繰り返し100回実行されているのはstate_entryイベントの処理中です。 イベントは同時に処理されないので、 link_messageイベントはキュー（処理待ちイベント置き場）に溜まります。 ところが、キューには64個までしかイベントを溜め込めないため、65回目以降のlink_messageイベントは闇に葬られます。 state_entryイベント終了後、キューに溜まった64個のlink_messageイベントが怒涛のように実行されて、カウンターの値が64まで上がります。 実際問題として、そこまで大量のイベントがキューにたまることは通常あり得ませんが、この状態になるとイベントは何のエラーも警告もなしに「なかったこと」になります。 自分では「イベントが起こるはずだ」と想定していたのにイベントが起きない、ということになりかねません。 思わぬバグの原因になる可能性もありますので、一つのイベントの処理時間が長いＬＳＬを組む際にはこの点は把握しておいたほうが良いかと思います。
https://w.atwiki.jp/pathofexile12/pages/475.html
詳説・特徴 ジェムレベルによる変化 入手方法 関連リンク Lesser Multiple Projectiles Support Support,Projectileアイコン lマナ倍率 140.0% 投射スキルをサポートする。追加で2つの投射物を発射するようになる クオリティ1%あたりSupported Skills have 0.5% increased Attack Speedサポートされたスキルの攻撃速度が0.5%増加Supported Skills have 0.5% increased Cast Speedサポートされたスキルの詠唱速度が0.5%増加 Supported Skills fire 2 additional Projectiles日本語訳求む Supported Skills deal (15-6)% less Projectile Damageサポートされたスキルは(15-6)%less Projectileダメージを与える。 詳説・特徴 ジェムレベルによる変化 +... レベル support_lesser_multiple_projectile_damage_+%_final 1 8 18 -15% 2 10 21 -15% 3 13 25 -14% 4 17 31 -14% 5 21 37 -13% 6 25 43 -13% 7 29 49 -12% 8 33 55 -12% 9 37 61 -11% 10 40 66 -11% 11 43 70 -10% 12 46 75 -10% 13 49 79 -9% 14 52 84 -9% 15 55 88 -8% 16 58 93 -8% 17 61 97 -7% 18 64 102 -7% 19 67 106 -6% 20 70 111 -6% 21 72 114 -5% 22 74 114 -5% 23 76 114 -4% 24 78 114 -4% 25 80 114 -3% 26 82 114 -3% 27 84 114 -2% 28 86 114 -2% 29 88 114 -1% 30 90 114 -1% 31 91 114 32 92 114 33 93 114 1% 34 94 114 1% 35 95 114 2% 36 96 114 2% 37 97 114 3% 38 98 114 3% 39 99 114 4% 40 100 114 4%
https://w.atwiki.jp/edwards/pages/33.html
1 Types and properties of stainless steel 1.1 Basic knowledge of stainless steel 1.1.4 Physical properties and mechanical properties of stainless steel 1.1.4.1 Physical properties General properties for carbon steelHigh electric resistance Low thermal conductivity Characteristics of martensitic stainless steel for carbon steelSimilar coefficient of thermal expansion Similar magnetic properties Characteristics of ferritic stainless steel for carbon steelSimilar coefficient of thermal expansion Similar magnetic properties Characteristics of austenitic stainless steel for carbon steelHigh coefficient of thermal expansion Distortion is easy to occur Characteristics of austenitic stainless steel for carbon steelPrinciple Nonmagnetic material Exception Change to magnetization for cold working/ Change to non-magnetic material by heat treatment process 1.1.4.2 Mechanical properties
https://w.atwiki.jp/sakuga/pages/258.html
宮沢 康紀 【みやざわ やすのり】 宮沢康紀AMV 過去にはスタジオワールド、スタジオジュニオなどに在籍していた。 「宮澤康紀」表記で記載される事も。 特徴として作画はユラユラ。 また湯浅政明によく似たドラッグ調の作画を披露する事もある。（Holic、デッドリーブス、のび太の恐竜2006） アニメスタイルイベントで湯浅政明氏に「天才」と評されていた。 ※七都市物語にてYasuki Miyazawaとクレジットされている。しかし、キルビルVo.1では yasunori とクレジットされている。 正確なひらがな読みについては不明。 ■逆転イッパツマン（1982~1983） 動画 3話 ■機甲創世記モスピーダ（1983~1984） 動画 2話 4話 6話 8話 10話 12話 14話 16話 18話 20話 22話 24話（すべて宮沢康規名義） ■超時空騎団サザンクロス（1984） 動画 6話 10話 12話 16話 ■Dr.スランプ アラレちゃん ほよよ!夢の都メカポリス（劇場/1985） 動画 ■タッチ（1985~1987） 原画 28話 33話 40話 動画 18話 ■悪魔島のプリンス 三つ目がとおる（TVSP/1985） 動画 ■ゲゲゲの鬼太郎［第3作］（1985~1988） 作画監督 107話、原画 33話 40話 47話 55話 63話 71話 81話 89話 95話 100話 107話 ■住友生命 青春アニメ全集「姿三四郎」（1986） 原画 3話（宮沢康之名義） ■Bugってハニー メガロム少女舞4622（劇場/1987） 原画 ■ゲゲゲの鬼太郎 地獄編（1988） 作画監督・原画 3話 ■マドンナ 炎のティーチャー（OVA/1988） 原画 ■マドンナ2 愛と青春のキック・オフ（OVA/1989） 原画 ■楽しいムーミン一家（1990~1991） 演出 72話、原画 12話 19話 27話 32話 38話 44話 49話 57話 63話 ■走れメロス（劇場/1992） 作画 ■NG騎士ラムネ 40 DX（OVA/1993） 原画 1話 終盤の煙。 ■七都市物語（OVA/1994） レイアウト・原画 1話 2話 ■はじまりの冒険者たち レジェンド・オブ・クリスタニア（劇場/1995） 作画監督補 集落が消滅してバルバスが現れるシーン。 ■ポポロクロイス物語（PS/1996） 原画 第4章。 ■レジェンド・オブ クリスタニア（OVA/1996~1997） 設定 OPEDアニメーション作画 原画 3話 ■ONE PIECE 倒せ!海賊ギャンザック（イベント上映/1998） 原画 ■テイルズオブファンタジア（PS/1998） 原画 OPのアーチェが水しぶきたてる所？ ■スライム冒険記 海だ、イエ～（イベント上映/1999） 原画 ウルフが水の巨人の中を泳ぐ所から、スラ吉の火炎放射まで ■WILD ARMS TV（1999~2000） ビジュアルデザイン 原画 22話 作画 OP OP 船？ ■ポポロクロイス物語II（PS/2000） 絵コンテ、原画 ■メダロット（1999~2000） 原画 45話 ■人狼（劇場/2000） 原画 警官に捕まりながらも服を脱いで逃げるモブのカット。c-965,c-1151,c-1154あたり。(どちらも人狼制作日誌より) ■Quantum Leap（PV/2000） 原画 ■メダロット魂（2000~2001） OP原画 迷彩のメダロットと闘ってる所？ ■テイルズオブエターニア（PS/2000） 原画 ■BLOOD THE LAST VAMPIRE（PS2/2000） 原画 ■学園戦記ムリョウ（2001） OPアニメーション 原画 26話 ■サモンナイト2（PS/2001） 美術デザイン、レイアウト ■パラッパラッパー（2001~2002） 絵コンテ・演出・原画 ED2 原画 OP2 27話 29話 ■テニスの王子様（2001~2005） 原画 OP1 OP2 31話 36話 40話 45話 47話 51話 91話 95話 97話 102話 103話 104話 109話 110話 116話 120話 121話 130話 146話 OP1：リョーマがサーブ打ってるところ(顔が映ってないところだけ?) OP2：カメラ揺らし＆ブレしてるカット。 ■バンパイヤン・キッズ（2001~2002） 原画 OP サビ入ってすぐの手引いて走ってるところとスーが親父とロボット叱ってる所？ ■怪童丸（OVA/2001） 原画 ■WILD ARMS Advanced 3rd（PS2/2002） OP原画 ■パルムの樹（劇場/2002） 原画 ■サクラ大戦4 ～恋せよ乙女～（DC/2002） CG合成用アニメパート原画 ■サーヴィランス 監視者（PS2/2002） 原画 ■千年女優（劇場/2002） 原画 ■テイルズオブデスティニー2（PS2/2002） 原画 本編ムービー最後の方のレンズ砕くところとその後の崩れ落ちるかいるのあたり？ ■OVER THE MONOCHROME RAINBOW featuring SHOGO HAMADA（PS2/2003） 原画 ■テイルズオブシンフォニア（GC/2003） OP原画 剣玉のところ？ ■キル・ビル Vol.1（劇場/2003） 原画 ■DEAD LEAVES（劇場/2004） 原画 赤ん坊登場から、芋虫消えるあたりまで ■妄想代理人（2004） 原画 2話 4話 12話 2 ラストのドラッグなシーン他。ノンクレ。 4：狐塚にバットで殴られる蛭川（推測） 12：冒頭の戦闘。 ■ポータブル空港（劇場/2004） 原画 ■お伽草子（2004~2005） 原画 1話 ■映画 クレヨンしんちゃん 嵐を呼ぶ！夕陽のカスカベボーイズ（劇場/2004） 原画 ■風人物語（2004~2005） 原画 OP 1話 2話 9話 10話 11話 13話 OP：弁当のところ 9：バイク。 ■BECK MONGORIAN CHOP SQUAD（2004~2005） 原画 1話 田辺が盗撮するときの中を抜いたアクション（小林治監督のTwitterより） ■劇場版 テニスの王子様 二人のサムライ THE FIRST GAME（劇場/2005） 原画 回想シーン全般と他をちょっとお手伝い。 ■劇場版 xxxHOLiC 真夏ノ夜ノ夢（劇場/2005） 原画 冒頭からアヤカシが離れていく所まで。 「あと一分」のあたり 狭い通路でグニャグニャするところ(1原のみ) ■劇場版 ツバサ・クロニクル 鳥カゴの国の姫君（劇場/2005） 舞台設計 ■BLOOD+（2005~2006） 原画 OP1 OP3 8話 ■テイルズオブジアビス（PS2/2005） OP原画、イベント原画 本編は地下道を抜けてからのムービーパート。 「イオンを返せ」 － ルークとアッシュの剣戟 － 距離をとってユラユラ。 ＯＰはアニスの動物バトル。 ■The King of Fighters：Another Day（配信/2005~2006） 原画 4話 ■IGPX（2005~2006） 原画 18話 26話 ■ソニックライダーズ（PS2、GC、XBOX/2006） 原画 ■映画 ドラえもん のび太の恐竜2006（劇場/2006） 原画 二度目の白亜紀到着の前後。 しずかちゃんのパンチラ、タイムマシーンでドラッグ、到着後も当分は宮澤パート。 ■xxxHOLiC（2006） 原画 OP 1話 3話 6話 12話 18話 外伝 OP：短いカットが連続して切り替わっていくところ 1：少女がアヤカシに憑かれる所 3：蛇が出てくる所から屋上パートラストまで 12：四月一日がモップオバケにビビらされる所 18：宮沢色全開の妖怪御一行様 外伝(24)：Bパート明けから少年が消えるまでの大部分 ■BLACK LAGOON（2006） 原画 8話 酒場にマフィアが来るあたり ■Peut-etre toi（PV/2006） 原画 ■時をかける少女（劇場/2006） 原画 家を飛び出て坂道を三段ジャンプ ■ケモノヅメ（2006） 原画 8話 13話 8 由香に投げられた、椅子に縛られたままの俊彦が、重力を無視した動きで敵を蹴散らすシーン 13 終盤、大葉の顔が崩れ、顔に墨で黒く影を入れたようなシーン ■パプリカ（劇場/2006） 原画 ８ミリ映画（劇中劇全部） 絵画内（オイディプスとスフィンクス） 警察署内の粉川 研究所（小さな大名行列、別棟廊下でパプリカと敦子の対立） ■テイルズオブデスティニー（PS2/2006） 原画 本編、湖に脱出ポットが落下するところとそのあと剣をつかむ前まで？ ■サモンナイト4（PS2/2006） 美術デザイン ■テイルズ オブ ザ ワールド レディアントマイソロジー（PSP/2006） アニメパート原画 OPの冒頭の字を書いてるところとその後の雑踏のなかに少女が立っているところ？ ■レイトン教授と不思議な町（NDS/2007） アニメーション用デザイン ■REIDEEN（2007） 原画 6話 16話 17話 19話 23話 26話 16：星川が宇宙人と戦うところ 19：サブタイトル明けからの電車絡みのカット。エフェクトと電車を止めようとする前田崎達。 23：ロクセルとの剣戟 ■天元突破グレンラガン（2007） 原画 26話 タイトル明け。独特な爆発とエフェクト。 ■茄子 スーツケースの渡り鳥（OVA/2007） 原画 ザンコーニのアタック？ ■神霊狩/GHOST HOUND（2007~2008） 原画 2話 4話 2：男がトラックにはねられるイメージ映像 4：病院内で匡幸が男子生徒を見て驚き足場が崩れて倒れこむ所 ■ツバサ TOKYO REVELATIONS（OVA/2007~2008） 原画 1話 2話 1：巨大ミミズと戦う周辺。 ■スターオーシャン1 First Departure（PSP/2007） 原画 OP イベント OP：モンスターを緑のエフェクトが貫通～赤毛のキャラがナイフもってくるっと回るところ（憶測 ■ポルフィの長い旅（2008） 絵本イラスト ■カイバ（2008） 設定デザイン協力 ■図書館戦争（2008） 原画 1話 12話 ■xxxHOLiC◆継（2008） 原画 3話 12話 3：サブタイトル明けから建物内に入るまで。 ■ワールド・デストラクション～世界撲滅の六人～（2008） 原画 1話 7話 11話 1 Bパートの生贄シーン、キリエの顔によだれが落ちる辺りからくまのでてくる前まで？ 7 リ・アが突っ込んでくる辺りから宿屋から逃げ出すところまで？ 11 最後のワニ師がデストラクトコード奪う一連のシーン？ ■BATMAN GODTHAM KNIGHT 「CROSSFIRE」（OVA/2008） 原画 ■テイルズオブハーツ（NDS/2008） オープニング原画 ■獣の奏者エリン（2009） 原画 1～5話 背景 6～50話 OP、EDの背景 1話：人を飲み込む獣のイメージ画 3話、5話：アバンの神話絵巻 7話：母親が死刑になると聞いたエリンのイメージ画の背景 13話：王獣の子を襲う闘蛇のイメージ映像 17話：イアルが意識を失いかけてみるイメージ映像 ■WHITE ALBUM（2009） 原画 2話 ■RIDEBACK -ライドバック-（2009） デザイン協力 3話 原画 OP ■チョコレート・アンダーグラウンド ぼくらのチョコレート戦争（劇場/2009） 原画 OP 本編 OP：一人原画 ■ツバサ 春雷記（OVA/2009） 原画 1話 ■戦国BASARA（2009） 原画 5話 10話 ■宮本武蔵-双剣に馳せる夢-（劇場/2009） 原画 ■サマーウォーズ（劇場/2009） 原画 クライマックスの健二の計算シーン。｢よろしくお願いしまーす！｣でENTERキーを押すまで ■テイルズ オブ バーサス（PSP/2009） 原画 サビの溶岩、矢が刺さる所、稲光、バルバトス？ ■ホッタラケの島 ～遥と魔法の鏡～（劇場/2009） コンセプトデザイン ■テイルズ オブ ヴェスペリア ～The First Strike～（劇場/2009） 原画 ■君に届け（2009~2010） 原画 11話 18話 11 爽子の顔面に飛んできたボールを龍が受け止める辺り（推測） ■書家（2010） 原画 ■四畳半神話大系（2010） 脚本（共同）・絵コンテ・演出・作画 TV未放映エピソード3話 原画 1話 5話 7話 1 カステラの箱を開け食べるシーン（季刊Sより） 5 教祖の講演の後の互いにぶちまけあうところ？人になるのあたりから？(後半の胡散臭いセミナー(アニスタイベント)) TV未放映エピソード3話：一人作画 ■TRIGUN Badlands Rumble（劇場/2010） 原画 ■宇宙ショーへようこそ（劇場/2010） 原画 動き出す宇宙列車、ポチの夢、宇宙列車の客室で椅子が作られていくところ、ギャンブルのシーン、パスポートの中身等(アニメージュ2010年8月号より) ■BLACK LAGOON Roberta s Blood Trail（OVA/2010~2011） 原画 25話 27話 28話 27：乱戦の中を突破していくレヴィ達（推測） ■戦国BASARA弐（2010） 原画 3話 9話 3 Bパートの利家がよろけた後ゆらゆらしてるシーン（憶測） ■ルー=ガルー（劇場/2010） 原画 さらわれた祐子を助けに来た麗猫が格闘する辺り（推測） 川端が「お前達みたいなのがいるからあの作品の素晴らしさが貶められるんだ」と言って祐子に迫るところ（推測） ■Panty Stocking with Garterbelt（2010） 原画 6話 ラストのゴースト工場爆発あたりからグランドが陥没して火柱が上がる所 ■戦場のヴァルキュリア3（PSP/2011） アニメーションパート原画 ■テイルズオブザワールド レディアントマイソロジー3（PSP/2011） オープニング原画 ■フラクタル（2011） 原画 7話 ■xxxHOLiC 籠 あだゆめ（OVA/2011） 原画 ■X-MEN（2011） 原画 2話 ■[C]（2011） 原画 1話 8話 11話 8 Bパート回想シーン、（推測） 11 Aパート戦闘シーン、次々に切られる分身の公麿～眠り姫の攻撃を受ける分身公麿（エフェクト等から推測） ■もしドラ もし高校野球の女子マネージャーがドラッカーの「マネジメント」を読んだら（2011） 原画 1話 ■SUPERNATURAL THE ANIMATION(2011) 原画 10話 ■GOSICK―ゴシック―（2011） 原画 24話 本のイメージシーン（推測） ■鋼の錬金術師 嘆きの丘（ミロス）の聖なる星（劇場/2011） 原画 氷で攻撃するメルビンやアルとジュリアが崖下へ落ちて行ったり雪でクッションにする一連 溶岩を喰いとめる手の辺りなど（アニメスタイル３号より） ■BLOOD-C（2011） 原画 3話 12話 3 敵のメタモル（推測） 12：エキストラ虐殺シーン（推測） ■逆境無頼カイジ 破戒録篇（2011） 原画 23話 23：沼のイメージ（推測） ■劇場版ポケットモンスター ベストウイッシュ ビクティニと黒き英雄 ゼクロム（劇場/2011） 原画 ■劇場版テニスの王子様 英国式庭球城決戦！（劇場/2011） 原画 ■英雄伝説 空の軌跡 THE ANIMATION（OVA/2011） 原画 1話 2話 ■ギルティクラウン（2011~2012） 原画 3話 4話 11話 17話 ■ASURA S WRATH アスラズラース（ゲーム/2012）『第11．5話「あの力はまずい」』 原画 ■プリティーリズム・ディアマイフューチャー（2012） 原画 OP2 ■CODE：BREAKER-コード・ブレイカー-（2012） 原画 1話 4話 9話 10話 11話 12話 3：Bパート頭、ノンクレジット？（推測） ■ガールズ パンツァー（2012） 原画 2話 7話 ■PSYCHO-PASS-サイコパス-（2012） 原画 5話 5：Bパート終盤、犯人部屋でのゆらゆら（推測） ■新世界より（2012~） 原画 16話 ■劇場版 HUNTER×HUNTER 緋色の幻影（劇場/2013） 原画 ■ベルセルク 黄金時代篇（劇場/2012~2013） 原画 3話 ■ビビッドレッド・オペレーション（2013） 原画 7話 ■攻殻機動隊ARISE GHOST IN THE SHELL（劇場/2013~2014） 原画 1話 4話 ■KICK HEART（2013） Associate Animator ■げんしけん二代目 「ボンノーはとめどなく」（OAD/2013） 原画 ■ジョバンニの島（劇場/2014） 原画 C18、C19：水中で卵を取るシーン C37：寛太がブリキの汽車で遊ぶシーンのレイアウト（原画は柳沼和良） C298、C300：機関車のライトが作る光と影、それを見る純平たち （ジョバンニの島アートワークスより） ■妖怪ウォッチ(2014) 原画 11話 11：じんめん犬（推測） ■ピンポン THE ANIMATION（2014） 原画 OP 1話 3話 4話 6話 8話 10話 11話 ■龍ヶ嬢七々々の埋蔵金（2014） 原画 1話 2話 1：アバン（推測） ■花は咲く 東北に咲く（2014） 原画 背景担当の東地和生氏のTwitter参照** ■純潔のマリア（2015） 原画 3話 ■攻殻機動隊ARISE ALTERNATIVE ARCHITECTURE（TV/2015） 原画 2話 4話 9話 ■魔法少女リリカルなのはViVid（TV/2015） 原画 6話 ■東亰ザナドゥ（ゲーム/2015） 原画 OP 地面から手がうねうね映えてくる1カット ■Dimension W（TV/2016） 原画 2話 8話 12話 ■若手アニメーター等人材育成プロジェクト あにめたまご2016「カラフル忍者いろまき」（TV/2016） 中堅原画 ■フリップフラッパーズ（TV/2016） 原画 6話 7話（NC） 8話 6：両親の喧嘩シーン（生オーコメ付振り返りセレクション上映会より） 7：ピュアイリュージョンにおけるココナの父親のカット（アニメスタイル011より） ■閃の軌跡3（PS4/2017） OP原画 ■魔法陣グルグル（TV/2017） 原画 14話 ■PERSONA5 the Animation（TV/2018） 原画 2話 3話 7話 11話 12話 21話 ■レイトン ミステリー探偵社 ～カトリーのナゾトキファイル～（TV/2018） 原画 18話 ■劇場版 フリクリ プログレ（劇場/2018） メカニックデザイン協力 「アワラン」（共同） 原画 「ラリルレ」 「アワラン」 ■ムタフカズ -MUTAFUKAZ-（劇場/2018） 原画 ■モブサイコ１００ Ⅱ（TV/2019） 原画 4話 5話 ■プロメア（劇場/2019） 設定 原画 ■プロメア SIDE ガロ（劇場特典/2019） 設定 ■プロメア SIDE リオ（劇場特典/2019） 設定 ■サイダーのように言葉が湧き上がる（劇場/2021） 原画 c061～099：カプセルトイを取り出すジャパン～アクション（サイコトちゃんねる#6、#7より） ■プラチナエンド（TV/2021~2022） 原画 14話 ■火狩りの王（TV/2023） 原画 1話 2話 3話 4話 14話 14：煌四の夢シーン一連と浄水場はじめ～ひばり登場前までのアクションパート(推測)
https://w.atwiki.jp/oper/pages/2299.html
Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Purcell,Henry/The Fairy Queen
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https://w.atwiki.jp/nostradamus/pages/1566.html
『フランス王国の全ての民への来るべき幸運の告知』（Advertissement à tous les peuples du royaume de France, du bon heur qui leur doit advenir）は、1571年にリヨンで出版されたアントワーヌ・クレスパンの著書。 【画像】扉(*1) 正式名 ADVERTISSEMENT A TOVS LES PEVPLES du Royaume de France, du bon heur qui leur doit advenir suyuant qu'on voit par la Natiuité du Treshaut, Treschrestien, Charles neufiesme, par la grace de Dieu Roy de France, contemplee sur la montagne du Montsenix, aux terres de Sauoye. Par M. Anthoine Crespin Nostradamus, Docteur, Conseiller, Medecin, Astrologue ordinaire du Roy de France, de la Maiesté de Madame de Sauoye, auec l'interpretation d' vne Comette veuë le xiij. d'Aoust, Mil cinq cens septente vn, en la Cité de Turin en Piemont. A LYON, M. D. LXXI. 神の恩寵によって、いとも高貴にして敬虔なキリスト教徒たるフランス王シャルル9世がご誕生なさったことにより体験されていることに続いて来るべき幸運についての、フランス王国の全ての民への告知フランス王とサヴォワ公妃殿下の常任の博士、顧問、侍医、占星術師アントワーヌ・クレスパン・ノストラダムス師によって、サヴォワ領のモン＝スニ峠の上で熟慮された。 1571年8月13日にピエモンテ地方のトリノで目撃された彗星の解釈とともに。 リヨンにて 1571年 内容 八つ折版15ページの文献である。 冒頭には 「大トルコの占星術師からフランス王とサヴォワ公妃のお抱え占星術師であるアントワーヌ・クレスパン・ノストラダムス師に送られてきた哀歌」（Elegie à M. Anthoine Crespin Nostradamus, Astrologue du Roy de France, de Madame de Sauoye, enuoyee par l'Astrologue du grand Turc.）と題する詩が載せられている。 本文は「サヴォワ公妃、ベリー公妃にして敬虔なキリスト教徒たる歴代フランス王の娘であり妹でありおばである、いとも名高く高潔な妃殿下へ」（A Treshonnoree et magnanime Princesse, Madame de Sauoye, Duchesse de Berry, Fille, Seur, Tante des treschrestiens Roys de France, Salut.）と題するサヴォワ公妃宛の献呈文の形が採られている。奥付は「トリノにある殿下の宮殿にて、1571年8月14日」となっている。 所蔵先 バイエルン州立図書館 同図書館のサイト上でも全ページの画像データ閲覧およびpdf形式での全ページダウンロードが可能である。ただし、1990年ころまでは所蔵されていなかったのか、あるいは見落としによるものか、ミシェル・ショマラはアレクサンドル・チオラネスコの書誌に従って伝聞情報を記載するにとどまっており(*2)、ロベール・ブナズラは言及自体していなかった。 版元 この文献には出版業者名が記載されておらず、推測するしかない。しかし、上で述べたように、従来は現存を知られていない文献だったので、研究が全く蓄積されていない。 名前 コメント